- BFI identifierN-474971
- TitleFar from the Madding Crowd (Original)
Credits
Directed by: Thomas Vinterberg
©: Tempco DNA Limited, Twentieth Century Fox Film Corporation, British Broadcasting Corporation, TSG Entertainment Finance LLC
Production Company: DNA Films
Developed with the assistance of: BBC Films
Presents: Fox Searchlight Pictures
[Presented] in association with: BBC Films, TSG Entertainment
Executive Producer: Christine Langan
Produced by: Andrew Macdonald, Allon Reich
Co-producer: Anita Overland
Associate Producer: Joanne Smith
Production Executive: Leah Clarke For DNA Films
Senior Business Manager: Michael Wood For BBC Films
Head of Legal and Business Affairs: Zoe Brown For BBC Films
Legal and Business Affairs Manager: Livy Sandler For BBC Films
Development Executive: Ed Wethered For BBC Films
Marketing Executive: Jacqui Barr For BBC Films
Production Manager: Phoebe Masters
Production Co-ordinator: Victoria Zalin
Assistant Production Co-ordinator: Philiy Page
Production Accountant: Rachel Plose
Post-production Accountant: Tarn Harper
1st Assistant Accountant: Zoie Miller
2nd Assistant Accountant: Gareth Brock
Unit Manager: Dave Bell
Location Manager: Alex Gladstone
Assistant Location Manager: Damon Crane
Location Manager London: James Buxton
Location Assistant: Matthew Winter, Karin Kavanagh, Antonio Genziani, Ben Connolly
Post-production Supervisor: Clare St. John
Production Secretary: Abby Mills
1st Assistant Director: Martin Curry
2nd Assistant Director: Ben Harrison
3rd Assistant Director: Tussy Facchin
Assistant to the Director: Rebecca Cronshey
Crowd 2nd Assistant Director: Guy Campbell
Crowd 3rd Assistant Director: Natalie Allin
Script Supervisor: San Davey
Casting: Nina Gold, Theo Park
Casting Assistant: Lauren Evans
Extras Casting: Mad Dog Casting
Written by: David Nicholls
Based on the novel by: Thomas Hardy
Director of Photography: Charlotte Bruus Christensen
B Camera Operator: Anders Holck
Steadicam: Anders Holck
A Camera 1st Assistant Camera: Ashley Bond
B Camera 1st Assistant Camera: Rami Bartholdy
A Camera 2nd Assistant Camera: Chris McAleese
B Camera 2nd Assistant Camera: Megan Ogilvie
Camera Trainee: Jon Muschamp, Sam Irwin
Gaffer: Alex Scott
Rigging Gaffer: John Truckle
Best Boy Electric: Andrew O'Driscoll
Key Grip: Simon Thorpe
Grip Assistant: Callum Watt
Video Playback: Sam Irwin
Stills Photographer: Alex Bailey
Visual Effects: Union Visual Effects Ltd
Visual Effects Supervisor: Adam Gascoyne Union Visual Effects Ltd
Visual Effects Producer: Tim Caplan Union Visual Effects Ltd
Visual Effects Line Producer: Noga Alon Stein Union Visual Effects Ltd
Visual Effects Co-ordinator: Finola O'Brien Union Visual Effects Ltd, Li Ying Ines Union Visual Effects Ltd
Visual Effects Lead Compositor: Mitch Crease Union Visual Effects Ltd
FX Lead: James Roberts Union Visual Effects Ltd
FX Artist: Stian Halvorsen Union Visual Effects Ltd, Alessandro Costa Union Visual Effects Ltd
Match Move: Sean O'Malley Union Visual Effects Ltd, Alexander Ha Union Visual Effects Ltd
Visual Effects Technical Assistant: Andy Cuthbert Union Visual Effects Ltd
Special Effects Supervisor: Mark Holt
Lead Floor Special Effects Technician: Lee Hales
Special Effects Technician: Kyle May
Additional Special Effects: SFX GB Ltd
Snow Effects: Snow Business International
Edited by: Claire Simpson
Assistant Editor Dorset: Gwillym Hewetson
1st Assistant Editor: Jamie Turpin
Post-production Consultant: Steve Harrow
Digital Intermediate Provided by: Company 3
Colourist: Adam Inglis
Digital Intermediate Producer: Cheryl Goodbody
Assistant Digital Intermediate Producer: Kira Fitzpatrick
Digital Conform: Justin Tillett
Digital Intermediate Colour Assistant: Aurora Shannon, Laura Pavone
Digital Film Bureau: Fiorenza Bagnariol, Timothy P. Jones, Gordon Pratt
Data Wrangler: Dan Helme
Production Designer: Kave Quinn
Supervising Art Director: Julia Castle
Art Director: Hannah Moseley, Tim Blake
Standby Art Director: Rachel Aulton
Set Decorator: Niamh Coulter
Assistant Set Decorator: Krysia Whitty
Graphic Designer: Emily Lutyens
Scenic Artist: Henry Gallagher, Alan Jones
Storyboard Artist: Simon Duric, Brendan Houghton
Production Buyer: Claire Grainger, Alice Felton
Property Master: Scott Keery
Dressing Props: Piero Jamieson, Sean Christie, Stuart Williams
Drapesman: Jean-Louie Riols
Charge Hand Standby Props: Dave Fisher
Standby Props: Dean Fisher
Greens Supervisor: Lucinda McLean
Dressing Greens: Scott Davey
Standby Greens: Emma Pisano
Art Department Assistant: Katie Money
Construction Manager: Alan Chesters
Costume Designer: Janet Patterson
Assistant Costume Designer: Françoise Fourcade
Costume Supervisor: Elizabeth Healy
Principle Costume Standby: Isabelle Fraser, John Dunn
Costumier: Ron Mawbey, Danielle Everett, Amanda Derby, Sarah Fitzpatrick, Samuel Clark
Costume Junior: Katie Thackeray, Lucy Anderson, Sally Winter, Freya Murphy, Sarah Heatherington
Head Seamstress: Amanda Brothwell
Seamstress: Kirsten Robinson, Elizabeth Farrer
Wardrobe Mistress: Eloise Park
Wardrobe Assistant: April Nash
[Wardrobe] Crowd Master: Robert Worley
Make-up and Hair Designer: Sian Grigg
[Make-up and Hair] Crowd Supervisor: Belinda Parrish
Hair Stylist: Tracey Smith
Hair and Make-up Artist: Charlie Rogers
Junior Make-up and Hair Assistant: Jessica Alexander
Hair and Make-up Artist: Bunny Stanway-Mayers, Lucy Samworth, Sam Bear, Jutta Russell, Sharon Nicholas
Title Design and End Roller: Matt Curtis
Head of Production Dailies: Jon Gray
Dailies Colourist: Miles Anderson
Dailies Producer: Stephen McGowan
Dailies Processing: i Dailies
Film Processing Post-production: Cinelab London
Prints by: FotoKem
Music: Craig Armstrong
Orchestra Leader: Perry Montague-Mason
Solo Violin: Clio Gould
Piano: Simon Chamberlain, Craig Armstrong, Dave Arch
Folk Musician: Eliza Carthy, James Delarre, Laurence Hunt, Nic Hurst, Bethany Porter, Simon Richie, Saul Rose, John G. Smith
Choir: Dorset Singers and Yeovil Chamber Choir
Choirmaster: Helen Brind
Organ: Graham Perryman
Score Conducted by: Cecilia Weston
Score Orchestrated and Arranged by: Dave Foster, Rob Sneddon, Craig Armstrong
On Set Music Producer: Neill MacColl, Kate St. John
Score Music Programmer: Scott Fraser
Music Editor: Yann McCullough
Additional Music Editor: Michael Connell, Paul Chandler
Score Recorded by: Rupert Coulson
[Folk Musicians] Recorded and Mixed by: Ian Dowling
[Choir] Recorded by: Paul Sanderson, Steve Wright
[Cast Vocals] Recorded by: Duncan Chave
Score Mixed by: Andy Bradfield
Additional Music Research: Eliza Carthy
Dorset Music Research: Virginia Astley
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Music Assistant: Emma Ford
Choreographer: Paul Harris
Sound Designer: Glenn Freemantle
Production Sound Mixer: Mitch 'Wookie' Low
Boom Operator: Stéphane Malenfant
Sound Assistant: Jack Woods
Re-recording Mixer: Ian Tapp, Niv Adiri
Sound Mix Technician: John Skehill
Supervising Sound Editor: Glenn Freemantle
Sound Design Editor: Ben Barker
Assistant Sound Editor: Nicholas Freemantle
Dialogue Editor: Emilie O'Connor
Sound Effects Editor: Dillon Bennett, Danny Freemantle, Eilam Hoffman, Niv Adiri
[ADR] Loop Group: Sync or Swim
ADR Recordist: Harry Platford, Mike Tehrani
ADR Mixer: Mark Appleby, Peter Gleaves
ADR Editor: Emilie O'Connor
ADR Voice Casting: Phoebe Scholfield
Foley Artist: Pete Burgis, Jack Stew
Foley Mixer: Glen Gathard
Assistant Foley Mixer: Jemma Riley-Tolch
Foley Editor: Linda Brenon
Marine Co-ordinator: Ian Creed
Marine Supervisor: Ned Wiltshire
Stunt Co-ordinator: Julian Spencer
Stunt Performer: James Grogan, Sean Adames, Stephen Rutherford, Gary Grundy, Tom Aitken, Zarene Dallas
Post-production Script: Sapex Scripts
Production Legal Services: Wiggin LLP
Dialect Coach: Neil Swain, Edda Sharpe
Horses and Carriages: The Devil's Horsemen
Horse Master: Camilla Naprous
Horse Wrangler: Adam Francis
Animals: Gill Raddings Stunt Dogs
Animal Handler: Gill Raddings, Sonia Turner
Unit Publicist: Sarah Clark
Cameras, Cranes and Dollies Provided by: Panavision
Lighting Equipment: ARRI Lighting Rental
Costumes Made by: Sands Films, Cos Props, Angels the Costumiers
Wigs: Ray Marston
Completion Guarantor: Film Finances